Pandit Uday Bhawalkar is among the foremost Dhrupad vocalists and has been a strong force in its growing recognition, popularity and resurgence, worldwide. Uday believes that when immersed in the note and raga, the self disappears and music takes on its own existence; the principle of ‘darshan’ in Indian philosophy. Dhrupad is one of the oldest forms of North Indian classical music and Uday maintains its majesty and subtle nuance. Dhrupad is a living and evolving classical music tradition in which Uday has developed a unique style deeply embedded in raga, ras and bhaav. Uday spent over 12 years studying and living in the traditional guru-shishya parampara with Ustad Zia Fariduddin Dagar (Vocal) and Ustad Zia Mohiuddin Dagar (Rudra-Veena), the towering pillars of the Dhrupad tradition. During this period there was a simple and complete concentration on the music itself. This intimate relationship, in which the Ustads willingly gave their inner secrets along with Uday’s devotion, brought him to a deep sense of completeness and wholeness. An inspiring, significant moment in this period was when Ustad Nasir Aminuddin Dagar, the eldest of the Dagar family, upon first hearing Uday’s performance in 1987, blessed him with a gold medal. Since his first performance at Bhopal in 1985, Uday has performed in a number of prestigious festivals and events in India and abroad. Uday has widely performed in Europe, USA, Canada, Mexico, and Singapore and also collaborated with artists from other disciplines and cultures. Uday has worked with the contemporary dancer Astad Deboo, the Ensemble Modern Orchestra, Germany, and with many other artists internationally. He has been accompanied on the Pakhawaj by none other than Ustad Zakir Hussain at the Prithvi Festival in Mumbai. He also been accompanied by Taalyogi Pt.Suresh Talwakar and Ustad Sukhwinder Singh Naamdhari. Uday has contributed to the soundtracks of International Art films including Mani Kaul’s “Cloud Door”, Aparna Sen’s “Mr & Mrs Iyer”, Amol Palekar’s “Anahat”, Renuka Shahane’s “RITA” and others. Besides being a performing artist par excellence, Uday is a very sensitive teacher and has a devoted following of students committed to pursuing the path of Dhrupad. He has taught internationally at institutions such as the Rotterdam Music Conservatory, the University of Washington, Seattle, and the Asian Music Circuit, London, to name a few. In 2012, Uday became a Guru at the ITC Sangeet Research Academy in Kolkata. He is also a Guru at the Bengal Foundation’s ”Parampara Sangeetalay”, Dhaka, Bangladesh and the Avartan Gurukul Pune.

Pratap Awad, began learning of Pakhawaj under Pt. Subhash Maharaj Deshmukh, Parali, Maharashtra, at early age for three years. After that he received advance training for four years from Pt. Uddhavji Aapegaonkarat Ambajogai .And for last two years he had received taleem from Late Pt. Vasantrao Ghopadkar, Pune. Presently, he is undergoing training from Pt. Arvind Kumar Azad, Pune. He is also a B grade artist at the AIR, Aurangabad. He has accompanied to Pandit Uday Bhawalkar and Ustad Baha'ud-din Dagar at various sammelans and samaroahs throughout India.· Performances in France, Belgium, Holland, Brussels with Pt. Uddhavji Apegaonkar in fusion with western instruments. He has also played Pakhawaj Jugalbandi and solo performances in Ellora Festival, Aurgabad, in program of young artists of Sangeet Natak Academy, New Delhi and various cities in Maharashtra. His awards include: First Prize in “All India Radio Competition, 2007”, won “TalmaniPuraskar”, Sursingar Sansand, Mumbai in 2008 from Pt. Ms. Aban Mistry, Gold Medalist of 12th Rashtriya Mohotsav, Orissa in 2010 by Chief Minister of Orissa, etc. He has completed his Visharad Purna from Gandharva Mahavidyalaya, Mumbai.

Guitar maestro Pandit Debashish Bhattacharya evolves into a global inspiration in the arena of contemporary musical uprising. The musical journey is a counterpart to what remains a fond reminiscence of a child’s fancy with a Hawaiian lap guitar at the age of four. The multi-dimensional intrigue of invention became a passion with the making and widespread recognition of the patented Chaturangui (a 24-string hollow neck guitar), Gandharvi (a 14-string guitar which holds the longest glissando) and Anandi (a 4-string slide Ukulele ) which not only excels in sound variety and quality but has become the designer’s choice. With the lineage of Gurus like Pandit Brij Bhushan Kabra and Pandit Ajoy Chakrabarty the inspiration has gone beyond performance. Born to musician parents Pt Debashish Bhattacharya, a child prodigy, was initiated into Indian classical singing, but was drawn to the guitar because of the ability to emulate the human voice by using the slide. Past performances of Debashish have include John McLaughlin and his latest incarnation of Shakti, Bob Brozman that resulted in the album Mahima. Led Kaapana, Martin Simpson are the others. The uncanny ability of sliding like a voice and mesmerizing tantrakaari ang put Debashish Bhattacharya as a leading slide guitarist of the world. This extremely personable and gifted artiste takes us on a timeless journey through the history of Indian Classical Music, bringing it into the 21st century, with detours into the Blues and Hawaiian music as well. His work has earned him president of India award in 1984, The Asiatic Society Gold Medal in 2005, Grammy nominee in 2009, BBC Planet Award for World Music in 2007 and Song Line Music Award winner in 2016. He has been featured in bill-board top 10, Song Line Magazine top 10, Central Asia and Asia Pacific world music top 10, Amazon top 100 albums, National Geography and world’s who’s who enlisted artists.

Nilan Chaudhuri has spent his entire life immersed in the tradition of Indian Classical Percussion. The son of Maestro Pt. Swapan Chaudhuri, Nilan received his first Tabla lesson from his father at the age of five. Nilan presented his first public Tabla solo at the age of eleven, at the Ali Akbar College of Music in San Rafael in the presence of Maestro Ud. Ali Akbar Khan. Within months of his first recital, sensing his passion and devotion to the art form, Nilan was accepted as a ganda bandan disciple of Khasaib. As a teenager, Nilan was deeply inspired by the Jazz-fusion Band ‘Oregon’ a group spearheaded by his cousin, percussionist Colin Walcott, a student of Ustad Alla Rakha. The band’s music inspired Nilan to dive deeper into the world of rhythm, and in 2003 Nilan began studying the Drumset with legendary Bay Area soul drummer, Sly Randolph. He would go on to perform in Jazz Ensembles throughout High School and University, winning awards for his unique cross pollinations in eastern and western music – specifically his innate ability to transcribe Tabla rhythms, referred to as ‘Bols,’ to the Drumset. In 2005, Nilan made his debut duet performance in concert with his Father and sarangi master, Ramesh Misra, in Queens, New York; Later that year, the duo would go on to perform for the momentous occasion of Basant Bahar’s 25th anniversary celebration. He has had the privilege of sharing the stage with Hindustani Classical Music’s greatest treasures, such as maestros Alam Khan, Ud. Shujaat Khan, Pt. Ramesh Misra, and Ud. Amjad Ali Khan in a constantly growing list of prestigious venues, such as Carnegie Hall, The Fillmore, The Monterey Pop Festival, and The Fox Theater. His collaborations also include crossover work with celebrated artists, Arjun Verma, Manik Khan, Gaayatri Kaundinya, Jack Perla, The Toronto Tabla Ensemble, members of Brooklyn Raga Massive, Dennis Chambers, Miles Schon, and DJ Teeko. In addition to maintaining a busy performing schedule, Nilan teaches Tabla throughout the Bay Area as a faculty member at the Ali Akbar College of Music, and as the Director of Percussion at Chitresh Das Institute.

Pandit Sanjeev Abhyankar, the maestro from the Mewati Gharana, is an artist of international acclaim in the field of Hindustani Classical Music and devotional music. An extremely popular artist, he is the inspiration for the young generation. Blessed with an exceptionally sweet voice, his vocation in life was clear right from the age of 3. Born in 1969, Sanjeev started learning Hindustani Classical Music, from the tender age of eight. He has been groomed by his mother Smt. Shobha Abhyankar, Pandit Pimpalkhare ji and Padmavibhushan Pandit Jasraj ji. Though his aim had been to pursue a career in music since childhood, he has acquired a bachelor's Degree in Commerce. Sanjeev rendered his first stage performance in Mumbai, at the age of 11. Since then, he has traveled extensively all over India, performing in all the prestigious conferences and art circles, several times. He has spread the fragrance of Indian Classical music in USA, Canada, Australia, Europe, Africa and the Middle East. He has received many awards which include the President's award from the All India Radio in 1990, the prestigious F. I. E. Foundation National Award 1996, The coveted National Award 1998 as the best male playback singer, for the Hindi film 'Godmother', the title 'Sur Ratna', Rotary Vocational Excellence Award 2002 and Pandit Jasraj Gaurav Puraskar, to name a few. He has also given playback for films such as ' Maachis', 'Nidaan', 'Sanshodhan' , 'Dil Pe Mat Le Yaar' and 'Banaras'.

Tanmay Deochake is a renowned harmonium performer in the Indian classical industry. He was born in a family of musicians in Ahmednagar, Maharashtra. He started imbibing ‘sangeet sanskar’ from the tender age of four. He learned and practiced the harmonium and keyboard under the expert guidance of his grandfather, Gopalrao Deochake and his father, Abhay Deochake. Tanmay came to Pune to make a career in music. His first step towards success was accepting an admission in Lalit Kala Kendra followed by taking teachings from Pt. Pramod Marathe. He also honed his skills in a traditional ‘Gurukul’ format at Gandharva Mahavidyalaya. Tanmay Deochake continues to enhance his knowledge as a musician and harmonium artist even today, under the guidance of Taalyogi Pt. Suresh Talwalkar and Padmashri. Ulhas Kashalkar. He has accompanied many established and famed artists like Ustad Zakir Hussain, Gansaraswati Kishoritai Amonkar, Pt. Ulhas Kashalkar, Taalyogi Pt. Suresh Talwalkar, Pt. Swapan Chaudhari, Pt. Ajay Chakrabarty, Pt. Kumar Bose, Pt. Anindo Chatterjee, Pt. Nayan Ghosh, Ustad Rashid Khan, Pt. Sanjeev Abhyankar, Smt. Ashwini Bhide Deshpande, Smt. Devki Pandit, Smt. Aarti Ankalikar, Pt. Raghunandan Panshikar, Pt. Yogesh Samsi, Pt. Vijay Ghate, Pt. Ramdas Palsule, Ustad Sukhvinder Singh, Ustad Taufiq Qureshi, Ustad Fazal Qureshi, Smt. Kaushiki Chakrabarty, Pt. Saunak Abhisheki, Smt. Manjusha Patil Kulkarni, Smt. Manjiri Asnare Kelkar, Pt. Jayteerth Mevundi, Shri Rahul Deshpande, Shri Satyajit Talwalkar for national and international performances. Tanmay is also an emerging solo harmonium artist. He is also a teacher to many. His students come from varied backgrounds and countries like England, USA and Canada. With his real time, online sessions he is able to impart his knowledge to many.

Ajinkya Joshi started his initial training in music at the age of seven from Shantilal Shah, one of the senior disciples of well-known tabla player Pt. Suresh Talwalkar. At the age of sixteen, Ajinkya moved to Mumbai and underwent intensive training in tabla for more than ten years from Pt. Suresh Talwalkar. Ajinkya is the recipient of the Vishnu Digambar Paluskar Award (1999). He has accompanied his guru in various tabla solo concerts all over India. He has been awarded the National Scholarship for young artistes by the Government of India. He has accompanied various artists in India and has also toured Dubai, Abu Dhabi, Canada and USA for concerts.

Mita Nag, daughter of veteran satirist, Pandit Manilal Nag and granddaughter of Sangeet Acharya (a master musician) Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music nearly 300 years old. In terms of lineage, Mita is the sixth generation sitar player in her family, the tradition having begun with her fore fathers. It was with her grandfather Gokul Nag, who had become the Guru of a noted zamindar (feudal lord) family of Uttarpara, a Northern suburb town of Kolkata, that the music of the Nag family came into limelight. With her illustrious father Manilal, the sitar tradition of Vishnupur gharana was made known to the world. Mita was initiated into music at the tender age of four . She had shown rather early gestures of her love for music. Toddling with her tiny sitar Mita began her early training under the guidance of her mother who was also a disciple of Gokul Nag. Her grandfather’s encouragement and instructions through singing had much influence on her early reception of music, most noticeably, associating the instrument with song. Her tutelage under her father started at the age of six. Mita appeared for her debut performance at the age of ten years, the year 1979 being observed as the International Year of the Child. The same year Mita won the Junior National Talent Search Award of the Govt .of India. Mita has performed in a number of concerts, solo as well as duet recitals with her father in major cities of India and in many cities of the US, Canada, Japan and Europe. She was awarded the Junior Fellowship Award by the Human Resource Development, Govt of India, for her research project on Vishnupur Gharana. Mita has founded the Gokul Nag Memorial Foundation, a Trust for the promotion of Indian Classical Music, in the fond memory of her grandfather. Mita is a Masters in English Literature and an M.Phil. in English from The University of Kolkata.

Hassan Haider is an acknowledged Shehnai player. His family hails from Allahabad, and he was born in Kolkata (Calcutta). His father Ud. Ali Ahmed Hussain was a famous Shehnai maestro. His family has been representing this art form for generations. Hassan Haider received his training in Benaras and Senia Gharanas from his father. He also learned from Pt. Arvind Parikh, the famous sitar maestro from school of Ud. Imdad Khan, Ud. Enayat Khan and Ud. Vilayat Khan. Hassan’s great grandfather Ud. Wazir Ali Khan was a musician of distinction who was the first musician to ever perform the Shehnai at the Buckingham Palace in London, England in 1910 and was awarded by Pt. Motilal Nehru, the father of India’s first Prime Minister Jawharlal Nehru. Even at this young age, Hassan Haider has already performed at many important music festivals, venues and occasions in India, such as The Autumn Festival of Dance and Music in celebration of India’s 50th year of independence, Dover Lane Music Festival in Kolkata, Harballav Festival in Jalandhar, Uttarpara Sangeet Chakra in West Bengal, Sri Ram Shankarlal Festival in Delhi, Ud. Alauddin Khan Academy in Bhopal, Sangeet Natak Academy in Pune, only to name a few. All of his performances have been well reviewed in newspapers and magazines. He has toured and performed with his father in several countries outside India. Those include the USA, Canada, U.K., France, Switzerland and Belgium. He is regularly featured on Indian radio and television.

Subhen Chatterjee will accompany on Tabla. Subhen Chatterjee bases his style of playing to Lucknow Gharana that he learnt from his illustrious Guru tabla maestro Pandit Swapan Chowdhury. Not restricting himself to one single Gharana-Subhen went on to learn the intricacies & beauty of other Gharanas that he introduced in his playing & which has made his style of playing so unique & distinctive. Subhen has also created India’s leading fusion band, KARMA, which is still the only of its kind from the eastern part of India. Subhen’s recent collaboration with renowned percussionist, SIVAMANI, has enabled him to form another unique fusion band called FRIENDS OF DRUMS whose main objective is to help the lesser known yet very talented musicians sharing stage with renowned ones. His album BANDISH FUSION was nominated for JPF Music Awards (one of the USA’s leading music awards) in 2006. Subhen’s latest albums BANDISH FUSION: REDEFINED and BANDISH FUSION: THE LASTING LEGACY are already in the charts; both in India and abroad.

Pandit Shantanu Bhattacharyya is foremost among the young maestros of Hindustani classical vocal music. President’s Gold Medal winner Shantanu is a Top graded artist of All India Radio and Doordarshan. Possessing the rare feat of having won simultaneous top positions in Khayal and Thumri at All India Radio music competition, Shantanu Bhattacharyya’s singing has been described by senior maestros including Guruma Vidushi Meera Banerjee, as a true reflection of Ustad Bade Ghulam Ali Khan. Shantanu groomed in music first by his mother Ira Bhattacharyya and then Sri Amalendu Pal, Sri Bhismadev Bhattacharyya, Sri Sukhendu Goswami and Sri Sudhir Banerjee; Shantanu in subsequent years learned expansively from worshipped names of the Patiala-Kasur Gharana; Pandit Prasun Banerjee, Vidushi Meera Banerjee and Pandit Ajoy Chakrabarty. Associating also with other great artists while a scholar at Kolkata’s ITC Sangeet Research Academy in the ‘90s, he perfected himself into a musician aiming to combine the best of all styles, focusing centrally on the gayaki of Ustad Bade Ghulam Ali Khan. Shantanu has performed at numerous festivals & venues in India, United States, Canada, Italy, United Kingdom, Finland, France, Germany and Singapore. Shantanu Bhattacharyya's music school Aalor Pathe Raga Dhwani has won accolades from one and all, for the brilliant performances of the young pupils learning under him in the guru shishya tradition.

Pandit Ashis Sengupta is a versatile percussionist of the Banaras gharana. He received his initial training from his father Shri Ranjit Kumar Sengupta and was later groomed by Pandit Nanku Maharaj, Pandit Mahapurush Mishra and Pandit Krishna Kumar Ganguly. Pt. Sengupta has innovated to the various rhythmic compositions learnt from his Gurus and is also blessed with a lot of traditional compositions, Stotras and varieties of Gats from the great Gurus. Both as a soloist and an accompanist to widely varied music styles and performers, he is also an established western drummer to his credit. Apart from playing Tabla, he has composed Bhajans and music arrangements for light music compositions recorded by many reputed audio-video companies. Most recently, he has written a book on Tabla named "Facets of Tabla Playing", published by Kanishka Publishers, New Delhi. He has traveled extensively all over the globe for his performances and lecture-demonstration on Tabla playing under the aegis of numerous organizations. At present he is a member of the Faculty of Music and Fine Arts, University of Delhi.

Durba Bhattacharyya is promising vocalist and accomplished harmonium artist. Imbibing music from her parents, her mother Tapati Banerjee being a vocalist, Durba Bhattacharyya was nurtured in the basics of Hindustani vocal music at a very early age by Ustad Mazhar Ali Khan of Patiala gharana; grandson of Ustad Bade Ghulam Ali Khan. Pandit Ajoy Chakrabarty, the celebrated genius of the Patiala Kasur style, subsequently took charge of her taalim and tutored her to perfection while she was a scholar at the ITC Sangeet Research Academy (SRA), Kolkata. Durba then obtained more guidance from Vidushi Meera Banerjee, the undisputed Empress of the Patiala Kasur style who was the gandabandh shagird of Ustad Bade Ghulam Ali Khan Since her marriage in 1997, she has been learning from Shantanu Bhattacharyya, her Gurubhai-turned-husband, who was also a former scholar here. Durba Bhattacharyya has performed in Kolkata, Delhi, Chennai, Bangalore, Chandigarh, Ambala, Patiala, Bhopal, Indore, Ujjain, Surat, Agartala, Mathura, Auroville and Pondicherry. She is an artist of All India Radio Kolkata. She has regaled the audience in USA, Canada, France, England and Singapore, and has to her credit several CDs.