Performing musicians: Vatsal Dave (Sitar), Sohni & Mihir Patel (violins), Usha Shrivastava (Sitar), Neena Sharma (Sitar), Neerav Dalal (Tabla), Shantanu Bhattacharya (Tabla), Aditya Paranjape (Tabla), Prakash Shrivastava (Tabla), Surendra Mistry (Tabla/Harmonium), Naren Pullela (Tabla/Mridangam), Rishul Ravi (Tabla), Chittranjan Gupta (vocals/harmonium), Drishti Mistry (vocals), Neha Pullela (vocals), Chetan Moghe (vocals), Tanvi Deshpande (vocals), Varenya Shrikant (vocals), Anand Amarnani (vocals), Vrashank Shukla (vocals), Seema Bhattacharya (vocals), Rajshree Gore (vocals), Meerambika Kulkarni (Kathak), Ritu Trivedi (Kathak), Neha Gampala (Kathak), Harshita Davuluri (Kathak) and Priyanka Parikh (Kathak).

ICMC presents its annual and unique event presenting a medley of several short vocal, instrumental and dance performances, by performing and amateur musicians of the Dallas/Fort Worth metroplex. This event is arranged in a baithak style concert format, where one will truly enjoy wide variety of musicians in an intimate manner. This event is FREE to general public. If you have interest in performing at this or similar events in future, please send an e-mail to webmaster@icmcdfw.org. All participants are required to have an active ICMC membership through June 30, 2014.

The primary reasons for this concert are to bring awareness about Indian classical music in the community and also to stage upcoming talent. Since its inception in 1983, ICMC has built the most comprehensive concert series and is regarded as the premier producer of Indian classical music and dance in Dallas/Fort Worth and the surrounding area, by consistently presenting more than seven culturally diverse concerts a year for the sole benefit of its members and the general public. ICMC's mission is to entertain, to interest, to educate, to train and to provide spiritual nourishment to its members and the general public, and to significantly contribute to the multiethnic heritage and the cultural vitality of the city, through its concerts.

Complimentary dinner & refreshments served.

PADMABHUSHAN Pandits Rajan & Sajan Mishra hail from the holy city of Banaras (Varanasi), which is home to some of the world’s best vocalists, instrumentalists, percussionists and dancers. They belong to a family of eminent musicians of the Banaras Gharana. A family of maestros that comprises of legends such as Pandit Ganeshji Misra (Great Grandfather), Pandit Sursahai Misra, Pandit Bade Ram Dasji Misra (Grandfather), Pandit Hanuman Misra (Father), and Pandit Gopal Misra (Uncle). Highly regarded as the most successful duo of our times, Pandits Rajan and Sajan Mishra are known for their extensive repertoire of Khayal. Endowed with sonorous and sensitive voices, the Misra brothers have also excelled in rendering light classical forms such as Tappa, Tarana and Bhajan. With rich and well cultivated voices that complement each other extremely well, these brothers have raised the duet form of singing to new heights of spiritual sublimity. The hallmark of their style is the superb intonation, beautiful imagination and their traditional approach which blends the old compositions with their own creations, using an amazing vocal range and technique. The legendary Mishra Brothers have been performing regularly in most major music festivals all over the world for the past 30 years.& have won many major awards such as Padma Bhushan (2007); Sangeet Natak Academy; Kumar Gandharva; Sangeet Ratna (Allahabad); Sangeet Bhushan (Varanasi); Kashi Gaurav (benaras),Sangeet Nayak (Chandigarh) & many others.

Vyasmurti Katti was initiated into music at a very young age by his sisters. Later, he went on to take systematic training in harmonium under the able guidance of Ramacharya Bagewadi of Solapur. Presently he is learning vocal music under the tutelage of Indudhar Nirody, a senior exponent of the Agra Gayaki. Katti is equally adept in harmonium accompaniment and in playing harmonium solo. He has accompanied several eminent artistes and has also given vocal concerts. He plays nagma with Tabla solo and Kathak performances. Having performed in India and overseas, Vyasmurti Katti has given up a career as an Electronics Engineer (B.E.-Electronics), to pursue music full time.

Pandit Ashis Sengupta is a versatile percussionist of the Banaras gharana. He received his initial training from his father Shri Ranjit Kumar Sengupta and was later groomed by Pandit Nanku Maharaj, Pandit Mahapurush Mishra and Pandit Krishna Kumar Ganguly. Pt. Sengupta has innovated to the various rhythmic compositions learnt from his Gurus and is also blessed with a lot of traditional compositions, Stotras and varieties of Gats from the great Gurus. Both as a soloist and an accompanist to widely varied music styles and performers, he is also an established western drummer to his credit. Apart from playing Tabla, he has composed Bhajans and music arrangements for light music compositions recorded by many reputed audio-video companies. Most recently, he has written a book on Tabla named "Facets of Tabla Playing", published by Kanishka Publishers, New Delhi. He has traveled extensively all over the globe for his performances and lecture-demonstration on Tabla playing under the aegis of numerous organizations. At present he is a member of the Faculty of Music and Fine Arts, University of Delhi.