Vyasmurti Katti was initiated into music at a very young age by his sisters. Later, he went on to take systematic training in harmonium under the able guidance of Ramacharya Bagewadi of Solapur. Presently he is learning vocal music under the tutelage of Indudhar Nirody, a senior exponent of the Agra Gayaki. Katti is equally adept in harmonium accompaniment and in playing harmonium solo. He has accompanied several eminent artistes and has also given vocal concerts. He plays nagma with Tabla solo and Kathak performances. Having performed in India and overseas, Vyasmurti Katti has given up a career as an Electronics Engineer (B.E.-Electronics), to pursue music full time.

Pandit Ashis Sengupta is a versatile percussionist of the Banaras gharana. He received his initial training from his father Shri Ranjit Kumar Sengupta and was later groomed by Pandit Nanku Maharaj, Pandit Mahapurush Mishra and Pandit Krishna Kumar Ganguly. Pt. Sengupta has innovated to the various rhythmic compositions learnt from his Gurus and is also blessed with a lot of traditional compositions, Stotras and varieties of Gats from the great Gurus. Both as a soloist and an accompanist to widely varied music styles and performers, he is also an established western drummer to his credit. Apart from playing Tabla, he has composed Bhajans and music arrangements for light music compositions recorded by many reputed audio-video companies. Most recently, he has written a book on Tabla named “Facets of Tabla Playing”, published by Kanishka Publishers, New Delhi. He has traveled extensively all over the globe for his performances and lecture-demonstration on Tabla playing under the aegis of numerous organizations. At present he is a member of the Faculty of Music and Fine Arts, University of Delhi.